The explosion in new, and sometimes awesomely cool, paper-crafting supplies got me to thinking recently.
Manufacturers have apparently responded to a huge rise in interest with a steady stream of “cool stuff” for the paper-crafting big three – card making, scrapbooking and journaling; including new markers, inks, dyes, powders, mists, etc., etc. Any self respecting fine art painter (an area, I might add, where new things don’t come a long nearly as often) would be crazy not to occasionally cast a sideways glance at the craft market and say, “hmm, wonder what I could do with that in my painting?” Multimedia artists (some of which are also journalers) especially would seem to benefit. But wait, not so fast… or maybe I should say, not so LIGHT fast.
Chasing the Fugitive
Scrapbook and journaling suppliers in particular seem to have responded well to the archival needs involved. Acid free papers, adhesives and mediums abound but there is still a big gulf where fugitive colors are concerned. Paper crafters have the luxury of not needing to worry about this much. Exhibiting art and prolonged light exposure is likely low on their “caution” priority list. But with so many new alluring dye-based mediums surfacing, any artist hoping to hang or exhibit work needs to be very careful of the mediums they incorporate. Dye-base mediums are the absolute worst in terms of fugitive colors. Pigmented mediums in the craft market exist but there aren’t nearly so many as you might think. Many illustrators fluent in using Copic or Prismacolor markers are not new to the concern over dye-based mediums, even experienced studio and gallery artists may tell you first hand, its no fun to see your precious artwork vanish before your very eyes after hanging on a well-lit wall for a few years.
Without doing a ton of research (for which I have no time), I thought maybe it better to just point you to some good reads where the work has already been done, by people who know where of they speak. Yeah, I’m just lazy that way. So, if your art will ever be displayed, read on and think carefully (think pigmented and archival) before you go including that cool new set of watercolor markers, powders or sprays in your next painting.
Six-Part series by James Gurney
Lightfastness: Part 1 of 6
Lightfastness and Dyes
Lightfastness in Pencils, Watercolors, and Oils
Lightfastness and Alizaring Crimson
Lightfastness: Final Thoughts